Alesandro Milesi (1856 - 1945) - Popolana

Alessandro Milesi (Venice, 1856 – Venice, 1945) Title: Popolana Technique: Oil on panel Framed dimensions: 47 x 35 cm Painting dimensions: 26.5 × 14.5 cm Signature: bottom right Period: between the late 19th and early 20th century Description of the work The painting depicts a young working-class woman captured in a moment of contemplation, with her head slightly tilted and her gaze directed downward. The close framing concentrates attention on the figure, isolated from any precise environmental reference and built through immediate, vigorous painting, in which the color matter plays a decisive role. The brushwork, rapid and saber-like, defines the face, hairstyle, and dress without dwelling on minute description. A few more intense touches, particularly the reds of the face and bodice, enliven a more restrained color range, while the background is resolved with light and vibrant strokes. This very executory immediacy gives the work the character of a study or sketch, perhaps a preparatory one for a larger composition, in which Milesi seems to privilege the immediate rendering of attitude and expression over narrative definition. The subject fully fits into the artist’s production dedicated to Venetian popular types, a theme Milesi repeatedly addressed alongside his prolific portrait work. Compared with his more developed genre scenes, here the anecdotal element is reduced to a minimum: what remains is mainly the presence of the figure, captured with immediacy and with that freedom of brushwork that characterizes many of his more successful studies. Biographical notes Alessandro Milesi was born in Venice in 1856 and trained at the Academy of Fine Arts, where he studied under Napoleone Nani. After a period in Verona, he returned to Venice and quickly established himself as an interpreter of lagoon life, developing a language initially close to Giacomo Favretto but progressively freer in its painterly execution. Alongside genre scenes, he achieved particular success in portraiture, creating likenesses of numerous protagonists of the society and culture of his time. From 1895 he participated continuously in the Venice Biennale until 1935; in 1912 a solo exhibition of 38 works was dedicated to him. He also exhibited in numerous national and international showcases, consolidating a reputation that made him one of the leading figures of Venetian painting between the 19th and 20th centuries. CONDITION REPORT Good overall condition, compatible with the era of the work. The painting surface is legible, with the chroma well preserved overall and the signature visible at the bottom left. Frame present. The frame is to be understood as a gift Tracked and insured shipment with appropriate packing.

Estimate:£424.12

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