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Barnebys Magazine

LatestEditor's picksTopics
Magazine/Painting/Newly Attributed Rembrandt Discovered by Rijksmuseum Researchers

Newly Attributed Rembrandt Discovered by Rijksmuseum Researchers

A biblical scene long dismissed as the master’s work has been confirmed as an authentic painting from 1633.

3 March 2026Gritta von Toll
Researchers examine Rembrandt's vision of Zechariah in the Temple. Photo: Rijksmuseum/Kelly Schenk (detail)

Researchers examine Rembrandt's vision of Zechariah in the Temple. Photo: Rijksmuseum/Kelly Schenk (detail)

News surrounding Rembrandt van Rijn continues to gather momentum. Only last week attention focused on an upcoming exhibition of etchings by the Dutch master. Now the Rijksmuseum has announced the rediscovery of an original Rembrandt painting.

See also: The Power of Prints: Discover Rembrandt's Etchings

The painting The Vision of Zechariah in the Temple, dated 1633, depicts the biblical moment when the Archangel Gabriel announces to the High Priest Zechariah that he and his wife will have a child despite their old age. Gabriel’s presence is suggested only by a glow of light in the upper right corner of the composition.

Rembrandt van Rijn, The Vision of Zechariah in the Temple, 1633. Permanent loan from a private collection. Photo: Rene Gerritsen

In 1960, the painting’s attribution to Rembrandt was rejected. A year later it was sold and subsequently disappeared from public view. Recently the current owners approached the Rijksmuseum to have the work examined by its specialists. The museum launched a two-year investigation using the same technical methods developed for the research project on Rembrandt’s Night Watch.

See also: Rembrandt's 'The Night Watch' Reveals a Hidden Influence

The study confirmed that the pigments correspond to those used in other Rembrandt works from the early 1630s. Dendrochronological analysis of the wooden panel also supported the date of 1633. X-ray imaging revealed changes in the composition that are characteristic of the artist’s working process, further strengthening the attribution. The signature was ultimately confirmed as authentic.

Rembrandt van Rijn, The Vision of Zacharias in the Temple (Detail). Photo: Rijksmuseum/Kelly Schenk

The subject also fits within Rembrandt’s early career. Around the same time he produced several biblical scenes, including Daniel and Cyrus before the Idol Bel (1631), now in the J. Paul Getty Museum, Simeon’s Song of Praise (1631) at the Mauritshuis, and Jeremiah Lamenting the Destruction of Jerusalem (1630), which is already part of the Rijksmuseum’s collection.

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Rijksmuseum director Taco Dibbits welcomed the result of the research: “It’s wonderful that people can now learn more about the young Rembrandt – he created this very poignant work shortly after moving from Leiden to Amsterdam. It is a beautiful example of the unique way Rembrandt depicts stories.”

The Vision of Zechariah in the Temple will remain on long-term loan to the Rijksmuseum and goes on display there from 4 March.

Find more articles in Barnebys Magazine

rijksmuseumrembrandt van rijn

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About the author

Gritta von Toll

Gritta von Toll is the German Editor at Barnebys Magazine. She completed studies in pre- and early history and archaeology, and since 2015, after a short detour into the world of advertising, she has worked at Barnebys, where she immerses herself in art history in order to bring bygone epochs closer to today's readers.

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Gritta von Toll

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